Lines created by the passage of time - somewhat erratic, always alluring; interpreted in cloth to celebrate subtle beauty in the natural world.
Workshop with Leesa Zarinelli Gawlik:
The Sewing Machine as a Drawing Tool
Saturday, April 5, 2014
10 a.m. – 5 p.m.
Learn to use the needle of the machine as if it were a pencil in your hand, creating lines, images, and visual textures while freely moving fabric / paper beneath the needle. Stitching on various materials using several techniques will be explored. Basic sewing knowledge is necessary, bring your own sewing machine and attachments. Workshop size limited to 8. Cost $75 for DAC members; $100 for non-members. Download the workshop description HERE.
Laurie Archer from Santa Fe, New Mexico will feature solar etching & mixed media
Opening reception Friday May 16 with a talk - “There’s a Thread you Follow” at 7 p.m.
This exhibit will feature a solar etching workshop.
May 1 – May 13 works from students of Louise Grunewald’s Solar Plate workshop.
Leslie Madigan shows “Journey Jars and Other Travels”
Opening reception Friday, July 11
Deborah Gorton shows “Every Stitch Tells a Story” stitched mixed media
Opening reception Friday, September 19. A mixed media collage workshop will be offered during this exhibit.
Mariah Richstone displays “After” photo collage
Opening reception Friday, November 7
January 7 – February 25
“Improvisation: Restraint,” a collection of stitched drawings by Susan Moss
Moss is interested in integrating the spontaneity of drawing with the stitched mark, creating play between restraint that embroidery often requires and the improvisation that drawing invites. The pieces on display are not necessarily finished nor ready for display.
Louise Grunewald: ”Postcards from Germany”
Anthony Holmquist: Recent Works
Anthony Holmquist, art professor at Fort Lewis College, will show his recent prints in September through October.
Anthony works in media including drawing, printmaking, collage, and digital/new. He is also a musician who researches and interprets old-time music through the fiddle, banjo, and guitar. He will be showing recent prints along with a video excerpt from New England artist Gina Siepel’s “A River Twice” – wherein Holmquist was invited to be a “guide” – playing fiddle tunes on Siepel’s traditional wooden work boat (called a bateau) while floating down the Kennebec River in Maine.
Juanita Ainsley – “Fancy This”
Ainsley of Bayfield will exhibit her colorful and fascinating mixed-media works on paper. Juanita recently won an award in one of the Art Center’s juried shows.
‘”I enjoy the challenge and freedom of using disparate elements in my work. One complete piece is a collection of many small works, each with its own unique characteristics regarding medium, degree of abstraction, size, colors, etc. They play off of one another with contrasts for tension and dissonance and commonalities for ease and resonance. The process is demanding and playful at the same time. There is an intentional childlike quality that derives from my appreciation of young children’s art.”
To learn more about the artist, visit Juanita’s website.
John Brandi and Tom Leech
We are very pleased to welcome Tom Leech and John Brandi of New Mexico in March and April. Tom is the director/curator of the Press at the Palace in Santa Fe and is known as a master printmaker and marbler using his handmade papers. John Brandi, a world traveler, is a poet-painter and will exhibit haiku and present a poetry reading the opening night.
On John Brandi, “He has been an open roader for much of his life and like his two great forebears, Whitman and Neruda, has named the minute particulars, the details of his sojournings … infusing them with a whole gamut of feelings— compassionate, mischievous, loving and righteous. It’s what’s made his poetry one of the solid bodies of work that’s emerged from the North American West since the ‘60s.”
To Leech, paper and poetry are three dimensional. “A poem is a sanctuary,” he says, showing me the first series broadside, written by Naomi Shihab Nye, entitled “His Life.” A heart-breaking poem about the role of mules in mining, Leech discovered the poem descended into a dark place. To enhance the reader’s experience, Leech printed a dark band across the bottom of the rough page. When making the paper, he added the glint of mica, reminding us of why we sacrifice human and animal life to a mine. From Sanctuary’s an Interview with Tom Leech